Table Of Content
Cultural significance aside, the real stars are the designers whose interior concepts not only reimagined every space in the stately home, but also help to predict the next big trends in design. And for one top San Francisco–based design firm, it meant reprising a role it played 35 years ago. The current revival band announced last year that its summer 2023 tour would be its last after eight years of performances.
A second Stern Grove festival? Brand-new SF summer music series drops
History repeats itself with the return of the San Francisco Decorator Showcase, which debuts its 45th edition this month. “The clients really pushed me to step out of my comfort zone and into their world,” says designer Nicole Hollis. The Haight staged an impressive comeback in 2022, especially compared to the city’s beleaguered Downtown. Despite all the changes and challenges hitting San Francisco, visitors still flock to the Haight for its cultural roots and freewheeling reputation.
San Francisco artists maintain a creative haven for 40 years—at a radioactive site
The Grateful Dead, also known as ‘The Dead” was a jam band founded in Palo Alto, California in 1965. Known for their eclectic style and long bouts of noodling, the band fused together elements of rock, blues, jazz, folk, and country to form their own psychedelic sound. Though they had no radio hits, the band is on the charts as one of the most successful touring shows in music history. Glossy surfaces weren’t solely relegated to ceilings, but extended to walls, custom cabinetry, and furnishings.
The 400 Club in Rincon Hill
The Standard spoke to visitors who had traveled by any means necessary from West Virginia, Indiana, Illinois, Missouri, Washington and New Jersey. Some said they found the band through acid trips and hazy years spent partying in the '80s and '90s. Two men had snagged tickets for all three sold-out shows, and one said he’d been to nine Grateful Dead-related concerts this year alone.
The Top 10 Things to Do in San Francisco's Haight-Ashbury - TripSavvy
The Top 10 Things to Do in San Francisco's Haight-Ashbury.
Posted: Wed, 30 Mar 2022 07:00:00 GMT [source]
Featuring original Dead members Bob Weir and Mickey Hart alongside pop music icon John Mayer, Dead & Company sold out all three Bay Area shows. The band’s free-spirited community, radical love and family ties will never fade away from San Francisco, some superfans say, even if the city looks and feels less hippified today. Diehard Deadheads consider the Grateful Dead’s 1995 concert at Chicago’s Soldier Field to be the influential jam band’s last true performance before frontman Jerry Garcia died.
O box truck, where art thou? Two Oakland A’s fans’ hunt for a missing team relic
Find LGBTQ+ history throughout San Francisco's different gay neighborhoods, from the Castro to SOMA. The Mission District is an outdoor art gallery full of vibrant murals depicting themes ranging from cultural heritage to social-political statements. World-class aquariums, interactive science exhibits, and diverse art collections make San Francisco’s museums a must for any visitor.
The 400 Club's proximity to the docks meant it was in a rough-and-tumble joint, frequented by sailors. Jerry grew up hanging out with drunken sailors while his parents tended the bar—not your average upbringing, but then again, no one ever called the Grateful Dead's bandleader average. As a tourist, you cannot go inside the Grateful Dead house in San Francisco as it is privately owned. The charges were eventually dropped (all they got was a $200 fine), but not before a news conference was held in at 710 Ashbury to protest the drug bust.
If houses came with a soundtrack, the groove for this historic San Francisco manse would surely be psychedelic. Radically reimagined by AD100 designer Nicole Hollis, the mind-bending abode pays tribute to the city’s progressive cultural legacy as well as the audacious tastes of Hollis’s clients. “It’s Grateful Dead meets Burning Man meets Marrakech meets Victorian posh, with a generous dose of contemporary design and art,” Hollis says, tracing the elaborate web of influences that converge in this hallucinatory vision of modern hippie-luxe. “I wanted to bring rock and roll into the life of the house, not just as an applied gloss but as part of its DNA,” she adds. Beyond the exotic fretwork and consciousness-expanding imagery, Hollis adorned the home with a king’s ransom in commissions from avant-garde contemporary designers and artists. The multinational roster includes signature works by Olafur Eliasson, Takashi Murakami, Martino Gamper, Studio Job, Mattia Bonetti, Katie Stout, Jeff Zimmerman, Rogan Gregory, Johanna Grawunder, Jos Devriendt, Chris Schanck, and others.
What was once the communal home and headquarters of the famous jam band the Grateful Dead, the house was under their control from October 1966 to March 1968. In that time, the home saw a ton of action including hosting a ton of famous guests (hello, Janis Joplin and Neal Cassady), and the infamous drug bust of 1967 (we’ll get into more on that below). Benefitting the San Francisco University High School Financial Aid Program, the monthlong event has raised over $18 million throughout its history to provide hundreds of deserving Bay Area students with world-class college preparatory education. A focus on bespoke lighting seemed to flip the switch on minimalist styling in a shift toward more opulence and abstract design. For her bathroom, Mill Valley–based designer Holly A. Kopman worked with artist Bobby Sarnoff and Dogfork Lamp Arts to develop a custom chandelier in homage to a Mazzega-designed lighting fixture she’d been obsessed with.
The Evolution Of Haight-Ashbury And The Grateful Dead - The Culture Trip
The Evolution Of Haight-Ashbury And The Grateful Dead.
Posted: Thu, 09 Feb 2017 08:00:00 GMT [source]
Even today, 50 years later, the city, especially the Haight Ashbury area, is full of tributes commemorating all the Dead have done for the city and for music in general. A walk down Haight street will greet you with a huge Jerry Garcia mural, sidewalk art, and the iconic skull logo at pretty much every turn. Gift shops sell memorabilia and t-shirts, Ben and Jerry’s ice cream shop sells “Cherry Garcia” ice cream, and record stores prominently display the Dead’s discography in their windows.
The Dead house gained icon status from this as well as photos of the group taken on its front stoop, which were circulated widely. Although it is home to someone else now, visitors can still pose for photos outside the front gate at the Grateful Dead house and see Deadhead art on the sidewalk outside. In the grand hallway, Berry selected a sculptural light installation called “Sand & Sea–Cascading Waves” from London-based design studio Haberdashery.
Nearly the perfect center of the city, the intersection of Haight and Ashbury Streets was once one of the cheapest parts of town. As San Francisco gained a reputation for acceptance amid the stifling confines of 1950s America, free souls flocked to the Haight neighborhood, which had been popularized by the media as a haven for disaffected youth. In May of 1967 — just before the Summer of Love — Hunter S. Thompson coined the neighborhood's nickname "Hashbury" in "The New York Times" Magazine, but the portmanteau didn't stick around as long as the residents. The Grateful Dead actually only lived here between 1966 and 1968 but that was enough time to make this home a semi-religious spot people trekked to from pretty much every corner of the earth. Well, to be completely honest with you, the house is a private residence – a gated private residence. However, that doesn’t mean that the house isn’t worth a visit on your way to or from Haight Ashbury, as it’s just around the corner from this famous intersection.
David Wiseman crafted a mind-boggling powder room suite with a traceried bronze screen, mirror, ceiling light, and toilet paper holder, some embellished with enameled mushrooms and snakes, and all set against an envelope of toothsome pink onyx. The seductive home theater—cloaked in de Gournay velvet panels bedazzled with metallic threads and millions of beads and gold sequins arranged in patterns of wafting smoke—features a custom Haas Brothers hookah. Igniting the clients’ curiosity about contemporary design was part of the fun,” the designer recalls. The Grateful Dead have been a San Francisco icon since the 1960s, and though their leader Jerry Garcia has since passed, they remain a symbol of the city. During the 60s they were the embodiment of the Hippie movement and a rallying symbol of peace and love.
On Oct. 2, 1967, eleven residents of the house were arrested by the San Francisco police for drug use (although Garcia wasn’t one of them, as he was hiding out across the street at the Hell’s Angels house). During their heyday the Dead lived in a nondescript Victorian at 710 Ashbury where they penned many of their hits. The house today is a normal residence, but some dedicated fans have left tributes in the form of flowers or artwork. The Haight-Ashbury area became known as a mecca for artists and their go-with-the-flow followers. It was not uncommon to run into musicians like the Grateful Dead and Janis Joplin as well as members of psychedelic rock outfits such as Jefferson Airplane and Quicksilver Messenger Service, many of whom lived within a few blocks of one another. "Wandering around Haight, you’d end up bumping into everyone you wanted to find and — as the song goes — strangers would stop strangers, just to shake their hand," says Grateful Dead drummer Bill Kreutzmann.
For the primary bedroom, Peruri selected a curvaceous Selene pendant lamp by Elsa Foulon to drop from the center of the space. And in the “Vaulted Jewel” bathroom off the main kitchen, Stephanie Marsh Fillbrandt of Marsh & Clark Design selected an antique patinated brass leaf chandelier to hang in contrast to the bright white subway tiles. Janis Joplin lived down the street from the Grateful Dead at 635 Ashbury Street in the Haight-Ashbury neighborhood of San Francisco. At a different time, Charles Manson also lived in this house before he left to start his family. San Francisco may have gained a slight touch of gray since the Grateful Dead band members lived together in a looming Victorian at 710 Ashbury St. to ride out the storied 1967 Summer of Love. The hippie era’s characteristic tie-dye aesthetic and psychedelic-fueled hedonism endure on a small stretch of shops on San Francisco’s Haight Street between Central Avenue and Golden Gate Park.
No comments:
Post a Comment